The article explores how, despite existing literature on the positive use of music for mood regulation, music listening can be double-edged and could actually sustain or intensify a negative mood.Ī Portuguese study by Martins et al. of young people with tendencies to depression. Aspects of mental health are the focus for an Australian study by Stewart et al. provides evidence of how musical listening influences adolescents' perceived sense of agency and emotional well-being, whilst demonstrating how this impact is particularly nuanced by context and individuality. A separate Finnish study by Saarikallio et al. demonstrate how musical training is likely to foster enhanced sound encoding in 9 to 15-year-olds and thus be related to reading skills. In terms of childhood and adolescence, for example, Putkinen et al. These provide evidence of how different research aims concerning the wider benefits of music require sensitive and appropriate methodologies. In addition, the articles collectively illustrate a wide range of contemporary research approaches. The collection draws on the work of 88 researchers from 17 different countries across the world, with each article offering an illustration of how music can relate to other important aspects of human functioning. This special issue provides a collection of 21, new research articles that deepen and develop our understanding of the ways and means that music can impact positively on human development and well-being. Benefits are also reported in terms of young people's educational outcomes ( Guhn et al., 2019), and successful musical activity can enhance an individual's sense of social inclusion ( Welch et al., 2014) and social cohesion ( Elvers et al., 2017). Within these lifespan perspectives, research into music's contribution to health and well-being provides evidence of physical and psychological impacts ( MacDonald et al., 2013 Fancourt and Finn, 2019 van den Elzen et al., 2019). Such benefits are evidenced across the lifespan, including early childhood ( Gerry et al., 2012 Williams et al., 2015 Linnavalli et al., 2018), adolescence ( McFerran et al., 2018), and older adulthood ( Lindblad and de Boise, 2020). Learning in and through music is something that can happen formally (such as part of structured lessons in school), as well as in other-than-formal situations, such as in the home with family and friends, often non-sequentially and not necessarily intentional, and where participation in music learning is voluntary, rather than mandated, such as in a community setting (cf. There is an increasing body of empirical and experimental studies concerning the wider benefits of musical activity, and research in the sciences associated with music suggests that there are many dimensions of human life-including physical, social, educational, psychological (cognitive and emotional)-which can be affected positively by successful engagement in music ( Biasutti and Concina, 2013). These activities not only allow the expression of personal inner states and feelings, but also can bring about many positive effects in those who engage in them. Music represents an enjoyable activity in and of itself, but its influence goes beyond simple amusement. Listening to music, singing, playing (informally, formally), creating (exploring, composing, improvising), whether individually and collectively, are common activities for the vast majority of people. Nevertheless, whilst the potential for musical behavior is a characteristic of all human beings, its realization is shaped by the environment and the experiences of individuals, often within groups ( North and Hargreaves, 2008 Welch and McPherson, 2018). Furthermore, research by anthropologists as well as ethnomusicologists suggests that music has been a characteristic of the human condition for millennia (cf. Hence, it seems more appropriate to talk about musics (plural) rather than in the singular ( Goble, 2015). Music is one of the most universal ways of expression and communication for humankind and is present in the everyday lives of people of all ages and from all cultures around the world ( Mehr et al., 2019).
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